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Tag Archives: Damien Walters Grintalis
Magpie Monday
Monday morning has broken, like the first morning Magpie has spoken, like the first bird* Welcome to another week-long Magpie Monday fest (well, Friday is only Video Friday, but a week full of posts!). Please to enjoy these dainty dishes … Continue reading →
Posted in About Writing, Magpie Monday
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Tagged A Series of Unfortunate Events, Alice Munro, Ampisound, Amy Winfrey, Andi Smith, Apex Magazine, armor, Benjamin Roy Lambert, bonsai trees, book shelves, bookcases, Brit Mandelo, Cat Stevens, Catherynne M. Valente, Cathy Day, Christopher Barzak, Colin Heck, Convos with My 2-Year Old, Daily Science Fiction, Dale Irby, Damien Walters Grintalis, Das ist mir Wurst (This is sausage to me), Dave Waite, Derrick Brown, Dominique Whitten, Edward & Amelia vs The Vampire King, Erin Morgenstern, female power, first-draft maps, flax-golden tales, Georgina Bruce, Gloria Bigelow, Grant Lyon, Grant Snider, Haikus of Regret, Henrietta Bean, io9, It Gets Better, It Gets Worse, J.D. Hancock, J.T. Howard, James Kingston, Jane Yolen, Jaym Gates, Kate Lebo, Ken To, Lady Snowblood, Lee Hallison, Letters of Note, Lightspeed, Liz Belsky, Louise Richardson, Marly Youmans, Marnie Bullock Dresser, Maureen McGovern, Nathan Ballingrud, Neil Gaiman, neo-noir fiction, Nightmare Magazine, ninjas, parkour, PetaPixel, Poets & Writers, readings, Richard Burton, Rusell Hinson, Samuel Bean, samurai, Sarah Monette, social media, Stephen P. Kiernan, Steve Grand, Susanna Bean, Sydney Smith, Terri Windling-Gayton, The Goblin Market, The Lord of the Rings Online, The Mary Sue, The Nymphs, The Ocean at the End of the Lane, The Puzzle Tombstone, Tina Fey, Tom Gauld, Tommy James & The Shondells, Tor.com, Usman T. Malik, vercingertorix09, Violet Baudelaire, Wanda Sykes, Weird Fiction Review, Wesley Burt, Will Ludwigsen, William Shakespeare
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Magpie Monday
Here are some shiny things that caught my eye recently: ♦ For those of you who dream of singing in the rain or in The Umbrellas of Cherbourg, or who dream of multiple covers of Rhianna‘s “Umbrella” (by the by, I love … Continue reading →
Posted in Magpie Monday
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Tagged A Distant Soil, Agatha Harkness, All Time Low, AlphaBooks, amnesia, Andrew Neal, anime, Annie Bellet, Anthony Hope Smith, Armless Maiden, Armless Maidens of the American West, Barcelona, basilisk, Ben Towle, Better Than Sunnydale, book-spine poetry, Bram Stoker, Buffy the Vampire Slayer, Chris Berens, Christina Hendricks, Chuck Wendig, Colleen Doran, creativity, crime rate, cryptids, cryptozoology, Daily Science Fiction, Damien Walters Grintalis, daydreaming, Dear Editor Enclosed Please Find My Story about Your Unfortunate Demise, dioramas, Dracula, Ekaterina Fawl, ElfQuest, fan fiction/fan art, fingernails, Genevieve Valentine, Glenn Barr, Greer Gilman, Harry Potter, Hogwarts fashion, home libraries (organization), Hush, Ice, immortality, Innocence Rearranged, interviews, J.K. Rowling, Jean Grey, Jeff VanderMeer, Kelly Williams, Kickstarter, La memoire douloureuse (The Painful Memory), Lady of the Cloth, landscape, literary devices in science fiction, Lord Voldemort, Luc Reid, Lucy Westenra, Luna Lovegood, Mad Men, Mandy Moore, manga, Marc Giai-Miniet, Mary Poppins, Matthew Weiner, motif, Museum of Modern Art MOMA, Oscar Wilde, Patricia Almeida, psychopath, publishing, pupil dilation, Rhianna, Sailor Moon, self-publishing, sexuality, Sherlock Holmes, sociopath, Stephen Quay, Tansy Rayner Roberts, The Curious Case of Version 47.13, The Gentlemen, The Official Handbook of the Marvel Universe REDUXE Edition, The Other Woman, The Quay Brothers, The Umbrellas of Cherbourg, Thomas Jonte, Thoughts of Tethys, Timothy Quay, To Be Undone By Such Small Things, Tokyo's Tokyo, transition as metaphor, Umbrella, Where the Wonder Women Are, wizarding gene
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